Saturday, September 21st, 2024
Ebony Russell
at Homo Faber in Venice and Parliament House in Canberra

Ebony Russell presented her first solo exhibition at Artereal Gallery in 2019. Fast forward five years and her work has been acquired by the Australian Parliament House Art Collection whilst at the same time she is showing new work in a major international biennial exhibition. Artereal Gallery is proud of the role we have played in launching Ebony Russell’s career and supporting and nurturing her artistic growth. A rising star with a burgeoning international profile, Ebony Russell is one to watch.  

Congratulations to Ebony Russell, whose work is currently included in Homo Faber, an international biennial exhibition being presented at the Fondazione Giorgio Cini in Venice, Italy. Home Faber 2024: The Journey of Life is curated by Luca Guadagnino and Nicolò Rosmarini and runs from 1 – 30 September, 2024.

Homo Faber is a cultural movement centred on creative artisans. It’s signature projects are education and the presentation of an international biennale.  Homo Faber 2024 takes you on a journey through a human life viewed through the lens of craftsmanship. A series of immersive exhibitions staged across the magnificent spaces of Fondazione Giorgio Cini, the Biennial exhibition includes hundreds of handcrafted objects made by talented artists and craftspeople from all over the world. Homo Faber is presented by the Michaelangelo Foundation for Creativity and Craftsmanship, a non-profit institution based in Switzerland.

Invited to participate in the exhibition and present new works as part of a room in the Fondazione Giorgio Cini with the theme LOVE (UNION), Ebony has been commissioned to create an ambitious pair of ceramic urns and pedestals titled Ritual Urn Couple in Pink and Red.

This pair of urns by Ebony Russell was created from layers of hand-piped and stained porcelain in pink with red detailing. Russell is well known for transforming porcelain into gravity-defying artworks, merging decoration and structure to challenge traditional boundaries and connotations historically associated with the medium. These new artworks are an identical pair of large two-handled baluster urns with matching column pedestals constructed from numerous layers of piped porcelain in pastel pink. Applied in places with red bows, ribbons, rosettes and wreaths. The S-shaped handles that widen at the top, are joined at the shoulders and raise just below the rim. The body of the urns has an oval opening on the front that exposes the inside of the urn a red bow and ribbon is revealed inside. The Urns sit upon large columns in matching pastel pink decorated with red bows and swag wreaths at the base and top.

 

Ebony Russell, Loutrophoros: Ritual Urn Couple in Pink and Red, 2024, Porcelain and Stain, Urn 59 x 30 x 30cm, Pedestal 96 x 28 x 28cm.Photography: Simon Hewson.

“A water carrier for a bride’s prenuptial bath or a funerary urn marking graves of the unwed: The ancient loutrophoros was manifold in both its use and meaning. With this pair of urns I seek to celebrate the rituals and artefacts that pertain to romance, love and commitment. Inspired by The Metropolitan Museum’s pair of Apulian Terracotta loutrophoros, these vessels are pure surface. The vases embody the tension between the highly regulated architectural language of neoclassicism – composed of a harmonious balance of rectilinear and curvilinear form – and the oozing decadence of an ephemeral confectionary fantasy.
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Using the techniques and processes traditionally employed in cake decorating, I slowly pipe the specially prepared porcelain in a series of delicate layers. Making artworks in this way feels like magic to me, as if the piece forms itself from my wand-like tool.
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True to my art practice, these artwork remains focused on highlighting the continued ghettoisation of women’s work in traditional art histories, most especially around ceramic practices.” – Ebony Russell, Artist Statement (2024)
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Ebony Russell, Suspiciously Beautiful: Rococo Delight Peach and Blue, 2023, porcelain and stain, 28 x 16 x 13 cm. Photography: Simon Hewson

Ebony Russell is also showing concurrently in an exhibition titled ‘Recent Acquisitions from the Parliament House Art Collections’. 

Ebony’s sculpture ‘Suspiciously Beautiful: Rococo Delight Peach and Blue’ (2023) was acquired by Parliament House in late 2023 and is now included in the rotational art collection within the Australian Parliament House Art Collections. This collection comprises works of contemporary Australian art and craft that reflect aspects of Australian culture, character and identity. The Rotational Collection is on display in general circulation areas at Parliament House, in the parliamentarians’ suites, and public exhibitions.

This exquisite and iconic piece by Ebony Russell is currently on display in the Marble Foyer of Parliament House until February 2025 as part of an exhibition showcasing a selection of recent acquisitions from the Parliament House Art Collections. The exhibition features works by artists exploring innovative uses of materials and techniques. The Parliament House Art Collections are nationally significant and include more than 6,500 works of art. The Rotational Collection was established so that works of contemporary art could be displayed throughout the circulation spaces of the building, in the offices and suites of parliamentarians, and in temporary exhibitions such as this one. Now numbering more than 3,500 works, the art in this collection has been selected to reflect aspects of Australian culture, character and identity.