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SOLO EXHIBITIONS |
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15 |
In Some Country under a Sun and Some Clouds, Herzliya Museum of Contemporary Art, Herzliya, Israel |
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Time of the Empress, Pabellón de las Bellas Artes, Buenos Aires, Argentina |
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14 |
Time of the Empress (sepset #2), Gazelli Art House, London |
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13 |
Time of the Empress (sepset), The Screening Room, Miami |
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SB: Villette, Virginia Commonwealth University/ Institute of Contemporary Art, Richmond |
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12 |
Some People, Indianpolis Museum of Art |
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New Landscapes, Gazelli Art House, Baku, Azerbaijan |
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09 |
Aziz + Cucher, Sultan Gallery, Kuiwait |
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Aziz + Cucher, National Museum of Art, Kaunas, Lithuania |
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08 |
Scenapse: New Photography, ClampArt, New York |
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Scenapse: New Photography, Galleria Trama, Barcelona |
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Scenapse: New Photography, Galleria Trama, Madrid |
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Aziz + Cucher, Stiftelsen Art Centre, Bergen, Norway |
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Koopman Award Exhibition, University of Hartford Art Galleries |
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06 |
Synaptic Bliss, Artereal Gallery, Sydney |
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Synaptic Bliss: Villette, Centro Cultural Chacao, Caracas, Venezuela |
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05 |
Synaptic Bliss, Galeria Trama, Barcelona and Madrid |
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04 |
Synaptic Bliss, Villette Numerique 2004, Parc de la Villette, Paris |
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03 |
Project Space, 3rd Floor Men’s Store, Bergdorf Goodman, New York |
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02 |
Passage, Herzliya Museum of Art, Israel |
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01 |
Recent Work, Henry Urbach Gallery, New York |
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New Work, Galerie Yvonamor Palix, Paris |
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00 |
Series 96:00 ,Museo Alejandro Otero, Caracas, Venezuela |
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99 |
Aziz+Cucher, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
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98 |
Aziz+Cucher, Reali Arte Contemporanea, Brescia, Italy |
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Unnatural Selection, Wolfson Gallery, Miami/Dade Comm. College, Miami |
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97 |
Plasmorphica, Jack Shainman Gallery, New York |
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Les Rencontres d’Arles, Arles, France |
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96 |
Unnatural Selection, The Photographers’ Gallery, London |
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New Work, Espace d’Art, Yvonamor Palix, Paris |
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Unnatural Selection, Galleria Photology, Milan |
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Aziz+Cucher, Kemper Museum of Contemporary Art, Kansas City |
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95 |
Venice Biennale, Venezuelan Pavilion, Venice |
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Dystopia, Jack Shainman Gallery, New York |
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93 |
Faith, Honor, and Beauty, Jack Shainman Gallery, New York |
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92 |
Faith, Honor, and Beauty, New Langton Arts, San Francisco |
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SELECTED GROUP EXHIBITIONS |
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15 |
The Architectural Impulse, Cristin Tierney Gallery, New York |
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Nature Morte, Ha Gamle Prestegard, Stavanger, Norway |
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Recomposed Bodies, Museum of the Manuscripts of Mont-Saint-Michel, Avranches, France |
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Pixellated, Children’s Museum of the Arts, New York |
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Come As You Are: Art of the 90’s, (curated by Alexandra Schwartz), Montclair Museum of Art, Montclair (travelling) |
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Nuit Blanche Toronto 2015, (curated by Agustin Perez-Rubio), Toronto |
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14 |
If You Build It…, curated by No Longer Empty (Manon Slome), New York |
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Monument to Cold War Victory, The Cooper Union, (curated by Yevgeniy Fiks and Stamatina Gregory), New York |
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The Moving Image Art Fair, New York |
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Report on the Construction of a Spaceship Module, Museum as Hub, New Museum of Contemporary Art, New York |
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Tal Amitai-Lavi, Chelouche Gallery for Contemporary Art, Tel Aviv |
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Exposure, Stein Galleries at Wright State University, Dayton, OH |
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Teutloff Collection meets Sandra Vasquez de la Horra, Kunsthaus Lempertz, Cologne |
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13 |
Open Doors, Fundacao De Almeida, Evora, Portugal |
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To Deny our Nothingness, Curated by the Berlin Collective, Gallery Brooklyn, Brooklyn, NY |
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Re:Cinema, Sydney College of the Arts, Sydney, Australia |
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Re:Conceptualizing Vision, Auckland Photo Festival, Auckland, New Zealand |
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12 |
Unnatural, Bass Museum of Art, Miami Beach |
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Fairy Tales, Monsters and the Genetic Imagination, Frist Center for the Arts, Nashville |
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Do or Die: The Human Condition in Painting and Photography, Deutsches Hygiene-Museum, Dresden |
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11 |
Paradesign, San Francisco Museum of Modern Art, San Francisco |
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Cabaret, Ramis Barquet Gallery, New York |
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PingYao Festival, Ping Yao, China |
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Beauty Culture, Annenberg Space for Photography, Los Angeles |
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Art Viff, a selection of video art for the Cannes Film Festival, France |
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Down to Earth, Gazelli Art House, London |
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10 |
Changing the Focus, Museum of Latin American Art, Los Angeles |
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SKIN, Wellcome Collection, London, UK |
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09 |
Huesped, MUSAC collection at the MNBA, Buenos Aires |
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Genipulation, Centre PasquArt, Biel, Switzerland |
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Sensate, San Francisco Museum of Modern Art |
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Arcadia, ClampArt, New York |
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08 |
246 and Counting: Recent Acquisitions, SFMoMa, San Francisco |
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Passageworks: Contemporary Art from the Collection, SFMoMa, San Francisco |
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07 |
In the Dermisphere, Art Center College of Design, Pasadena, CA |
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Double Vision, Deutsche Bank, New York |
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Digital Portraits, Clampart Gallery, New York |
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Jump Cuts, CIFO, Cisneros Foundation, Miami, FL |
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Second Skin, Museum of Contemporary Art, Taipei, Taiwan |
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A Travers le Miroir, Musee d’Art et d’Archeologie, Aurillac, France |
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06 |
A Curator’s Eye: The Visual Legacy of Robert A. Sobieszek, Los Angeles County Museum of Art, Los Angeles |
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Fata Morgana, Haifa Museum of Art, Israel |
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Carta de Naturaleza, Photo España, Madrid |
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Future Face, Taiwan Museum of Art, Taiwan |
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Second Skin, Entry 2006 Expo, Essen, Germany, Orgranized by the Cooper-Hewitt National Design Museum, NY |
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05 |
Synaptic Bliss, Eyebeam, New York |
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ARCO ’05 Project Room, Madrid |
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La Peau est ce qu’il y a de plus Profond, Musee de Beaux Arts, Valenciennes, France |
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Face and Figure, Westport Art Center, Westport, Connecticut |
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Second Skin, Entry 2006 Expo, Essen, Germany. Organised by the Cooper-Hewitt National Design Museum, New York |
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04 |
Art + Architecture 1900–2000, Palazzo Ducale, Genova |
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Future Face, The Science Museum, London |
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Making Faces, Hayward Gallery, London |
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Biennale Internationale de l’Image, de Liege, Belgium |
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Paradise Now, University of Maryland, Baltimore |
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03 |
Only Skin Deep, International Center of Photography (ICP), New York |
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Rethinking Photography V, Forum Stadtpark, Graz, Austria |
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Chimeres, Musee des Beaux Arts, Monaco |
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Cara a Cara, Culturgest, Lisbon |
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Undomesticated Interiors, Smith College, Northampton, Massachusetts |
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Bewitched,Bothered, and Bewildered, Migros Museum, Zurich |
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02 |
Body Design, San Francisco Museum of Modern Art |
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Out of Site, New Museum of Contemporary Art, New York |
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Human Park, Palau de la Virreina, Barcelona |
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Latent Space, Netherlands Institute for Architecture, Rotterdam |
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Skin: Surface, Substance, and Design, Cooper-Hewitt National Design Museum, New York |
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The Other Face, Deutsches Museum, Munich |
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01 |
Organic/Inorganic, San Francisco Museum of Modern Art, San Francisco |
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Photography Biennale, Turin, Italy |
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Face Off, Aeroplastics Contemporary, Brussels |
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Flesh and Fluid, CCS, Bard College, Annandale-on-Hudson, New York |
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Brooklyn, Institute of Contemporary Art, Palm Beach, Florida |
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00 |
Sharing Exoticism, Biennale de Lyon |
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Paradise Now: Creating the Genetic Revolution, Exit Art, New York |
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Made in California, 1900–2000, Los Angeles County Museum of Art |
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Salon for the 21st Century, John Weber Gallery, New York |
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The Anagrammatical Body, ZKM, Karlsruhe, Germany |
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The Century of the Body, Musee de l’Elysee, Lausanne, Switzerland |
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The Body in Art: 1950–2000, Arken Museum of Modern Art, Copenhagen, Denmark |
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99 |
One Hundred Years of Art in Germany, Nationalgalerie, Berlin |
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Hamburg Triennale, Deichtorhallen, Hamburg, Germany |
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Ghost in the Shell – Photography and the Human Soul, 1850–2000, (curated by Robert Sobieszek) Los Angeles County Museum of Art, Los Angeles |
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The Anagrammatical Body, Kunsthaus Mürzzuschlag, Graz, Austria |
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Rosso Vivo: Mutation, Transfiguration, and Blood in Contemporary Art, Padiglione d’Arte Contemporanea, Milan |
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98 |
Art – Document – Market – Science: Photography’s Multiple Roles, Museum of Contemporary Photography, Chicago |
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Magritte and Contemporary Art, Oostende Museum of Modern Art, Belgium |
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Interface – Art and Technology in the Bay Area, Duke University, Durham, North Carolina |
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Art and Genetic Engineering, Galerie Rudof Mangisch, Zurich |
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97 |
Love Hotel, travelling exhibition of the collection of the National Gallery of Australia |
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The New Face, Kunstverein Konstanz, Germany |
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Bay Area Now, Yerba Buena Cultural Center, San Francisco |
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96 |
Double Vie, Double Vue, Fondation Cartier pour l’Art Contemporain, Paris |
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V FotoBienal ’96, Vigo, Spain |
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Family, Nation, Tribe, Community, SHIFT, Haus der Kulturen der Welt/NGBK, Berlin, (catalog) |
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Prospect ’96, An International Survey of Contemporary Art, Frankfurter Kunstverein, Frankfurt |
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95 |
Photography After Photography, Siemens Kulturprogramm, Munich |
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Obsessions: From WunderKammer to Cyberspace, Rijksmuseum Twenthe, The Netherlands (catalog) |
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The New Child, University Art Museum, U.C. Berkeley |
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94 |
The Ghost in the Machine, List Visual Arts Center, M.I.T., Cambridge, Massachusetts |
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Second Nature, The Friends of Photography/Ansel Adams Center, San Francisco |
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VI FOTOBIENIAL 1994, Vigo, Spain |
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93 |
The Final Frontier, The New Museum of Contemporary Art, New York |
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COLLECTIONS |
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San Francisco Museum of Modern Art, San Francisco |
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Los Angeles County Museum of Art, Los Angeles |
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Martin Z. Margulies Collection, Miami |
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Musee de l’Elysee, Lausanne, Switzerland |
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MUSAC, Museum of Contemporary Art, Leon, Spain |
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Maison Europeene de la Photographie, Paris |
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Museo Nacional Centro de Arte Reina Sofia, Madrid |
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Collection Banque et Caisse d’Epargne de l’Etat, Luxembourg |
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Fond National d’Art Contemporain, Paris, France |
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San Jose Museum of Art, San Jose, California |
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Museum of Contemporary Photography, Chicago |
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National Gallery of Australia |
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Denver Museum of Art |
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Fond Regional d’Art Contemporain, Auvergne, France |
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Kölnischer Kunstverein, Cologne |
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Sammlung Berger Foundation, Amorbach, Germany |
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Lutz Teutloff, Bielefeld, Germany |
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Galeria de Arte Nacional, Caracas, Venezuela |
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Ruttenberg Foundation, Chicago |
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Rene and Veronica di Rosa Foundation, Napa, California |
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Museo Alejandro Otero, Caracas, Venezuela |
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