.

Preferring the artworks to speak for themselves, Ong presents each new body of work in a manner that allows the viewer to construct their own self-reflective linkages, meanings and interpretations. This idea of the viewer as a narrator, or someone cast in the role of a decoding sleuth, is concurrent throughout all of Ong’s works and is inspired by Surrealist film and writing. The notion of the artwork being an open-ended fragment with multiple arrangements as well as the potential to convey a subconscious, or spiritual source.

.

The inherent allure of Ben Ali Ong’s photographs stems from the psychological pull which draws the viewer into each work. Ong’s work has an underlying sense of anguish and sorrow (perhaps even horror) which clings to these black and white photographs. The shadowy, brooding drama and chiaroscuro of the artist’s work captures the delicate interplay between lightness and darkness in a way which acts as a visual metaphor for the vagaries of human existence; alluding to the idea that the beauty and fragility of life are inseparable from the horror and sorrow which accompany it. The resulting emotional pull resonates with and touches some deep inner core which resides within all humanity, transporting us away from our everyday existence. In this way, Ong’s photographs, which are at once both beautiful and frightening, achieve a timeless, unknown, almost half forgotten quality or existence which touches upon ideas of life, death and morality.