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Exhibition
main gallery

Additional Information

Group Show
#allthefeels
11 April - 28 April 2018

#ALLTHEFEELS
Contemporary art in the age of spirituality, positive psychology, mindfulness and meditation.

A group exhibition featuring:

Lionel Bawden
Liam Benson
Criena Court
Noula Diamantopoulos
Douglas Diaz
Stevie Fieldsend
Hyun-Hee Lee
Brooke Leigh
Sylvia Schwenk
Jodie Whalen

 

Install shot by Zan Wimberley.

Install shot by Zan Wimberley.

In today’s fast-paced and hyper-stimulated world, contemporary art offers a moment of calm and reflection. A moment to pause, engage with and consider the emotional and psychological currents and realities of our contemporary existence. Artereal Gallery’s latest group exhibition, #ALLTHEFEELS attempts to do just that, presenting the work of ten diverse artists whose practices engage with or are influenced by theories of positive psychology, spirituality and/or the contemporary quest for meaning.

#ALLTHEFEELS developed as a curatorial construct based on an observation. An observation of how many contemporary artists have chosen to embrace and integrate philosophies around spirituality, positive psychology, meditation, yoga and mindfulness into their daily lives and artistic practices. The ongoing search for meaning encapsulated in the work of these artists is representative of a broader trend in contemporary society. Many of us are trying to battle feelings of isolation, or escape from a sense of being lonely and disconnected, or a niggling suspicion that we are increasingly estranged from the natural world and the natural order of things. Increasingly we are living in a world defined by a growing prevalence of mental illness, anxiety and stress.

In Internet slang, ‘feels’ is shorthand for the word ‘feelings’. #ALLTHEFEELS (the now ubiquitous hashtag used in millions of Instagram photos, tweets and Facebook statuses), derives from this slang and is used online to describe an intense emotional response such as sadness, excitement or awe. As a catchphrase, #ALLTHEFEELS entered peak parlance around 2012 when it was entered into www.urbandictionary.com and is now so widely used and so commonly recognised that it is currently being ‘watched’ and is under consideration for inclusion in the Merriam-Webster Dictionary.

Lionel Bawden, I am porous (series), 2018, Photograph by Zan Wimberley.

The sometimes contradictory and nuanced semantics behind this seemingly simple hashtag reflect the complex and multifaceted relationships which contemporary society has developed when it comes to understanding and expressing our own emotions. #ALLTHEFEELS can alternately be used to express a sincere emotional state or instead co-opted facetiously and sarcastically to express condescension. In these latter instances it is often used when we are experiencing a level of discomfort with our own emotions, as an almost self-deprecating way of expressing or prefacing our emotions – a way of calling yourself out for feeling something before someone else does. We live in an age where our emotions are often hurriedly dismissed, with an air of embarrassment, as though they are clouding our logic, professionalism or reason. As a society we have become inept at acknowledging, understanding and expressing our own feelings and emotions.

And yet we are simultaneously living through a renaissance period when it comes to the rapidly expanding fields of neuropsychology, psychotherapy, wellness and spiritual based beliefs. With the internet, we can now tap into vast resources (from ancient wisdoms and online meditations, to Daniel Goleman’s writings on Emotional Intelligence, or the new wave of writers such as Mihaly Csikszentmihalyi and Charles Duhigg bringing the latest breakthroughs in neuroscience to a mainstream audience) allowing us unprecedented opportunities to seek out answers which were previously inaccessible to the masses.

All of the artists included in this exhibition use their practice to explore, interrogate or express ideas relating to these themes. Amongst them, they have variously created artworks exploring ancient Eastern spiritual beliefs from Buddhism to the Japanese philosophy of Zen. Artworks informed by a deep and rigorous exploration (both academic and practical) of disorganised attachment theory. Artworks exploring and documenting the vast range and capacity of human beings to experience and feel emotions. Artworks drawing on the philosophical underpinnings of yoga and meditation to remind us of the importance of being present and the need to pause, reflect and breathe. Artworks exploring the state of love and its power to transform. Artworks created as a cathartic release from feelings of anxiety and trauma. Artworks which confront the undercurrents of pain inherent in the exploration of identity politics. Artworks which pose unanswerable questions…

Rhianna Walcott
Curator

Additional Information

Upcoming Exhibition

main gallery
Ryan McGennisken
3 July - 3 August 2019

Previous Exhibition

main gallery
Sam Holt
1 May - 1 June 2019
Lionel Bawden_I am porous (it tears my heart out)_2018_Tissue boxes, gesso, acrylic paint, wood_68.5cm x 53.5 cm x 53.5 cm. Lionel Bawden_I am porous (I FALL APART) _2018_Tissue boxes, gesso, acrylic paint, wood_59cm x 53.5 cm x 53.5 cm. Douglas Diaz_THE FEAR OF INTIMACY_2018_91 x 130cm_Graphite, charcoal, and medium on paper. Douglas Diaz_DESIRE #2_2018_91 x 65 cm_Graphite, charcoal, and medium on paper. Noula Diamantopoulos_belove(d)_2018_Neon, perspex_38 x 85cm_edition of 5 Brooke Leigh_CAN YOU HEAR ME_2017_mono print on notepaper_30 x 21cm Brooke Leigh_If i knew how to escape don't you think i would_2017_mono print on notepaper_30 x 21cm. Brooke Leigh_Its Not Dying Im Afraid Of Its Living_2017_mono print on notepaper_30 x 21cm. Brooke Leigh_Right Where You Left Me_2017_mono print on notepaper_30 x 21cm. Brooke Leigh_This Silence is Deafening_2017_mono print on notepaper_30 x 21cm. Brooke Leigh_To feel so fed up_2017_mono print on notepaper_30 x 21cm. Criena Court_Breathe. Pause. Repeat._2018_Single channel video with sound_10 minutes_edition of 5 +2AP_Sound by Matt Van Schie. Hyun-Hee Lee_Letters from Home_2018_mixed media, acrylic on canvas_30 x 30 cm each (25 individual panels). Sylvia Schwenk_Connect: kaleidoscope_2016_two channel video_edition of 5 +2AP_channel 1: 6 minutes and 6 seconds, channel 2: 4 minutes and 44 second. Jodie Whalen_Not alone. Not together. 2018_Photomontage collage on white cotton rag, PVC_49cm x 70.5cm_Edition of 2 +1AP. Jodie Whalen_As near to me as my breath and bone (video still)_2018_ Single channel HD video,16:9_23 minutes and 23 seconds_Edition of 2 +2AP. Jodie Whalen_As near to me as my breath and bone (video still)_2018_ Single channel HD video,16:9_23 minutes and 23 seconds_Edition of 2 +2AP. Jodie Whalen_As near to me as my breath and bone (video still)_2018_ Single channel HD video,16:9_23 minutes and 23 seconds_Edition of 2 +2AP. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot_Lionel Bawden_I am porous (series)_Photograph by Zan Wimberley. Install shot_Sylvia Schwenk_Connect: Kaleidoscope_Photograph by Zan Wimberley. Install shot_Douglas Diaz_Intimacy (series)_Photograph by Zan Wimberley. Install shot_Douglas Diaz_Intimacy (series)_Photograph by Zan Wimberley. Install shot_Brooke Leigh_Scores (series)_Photograph by Zan Wimberley. Install shot_Brooke Leigh_Scores (series)_Photograph by Zan Wimberley. Install shot_ Jodie Whalen_Photograph by Zan Wimberley. Install shot by Zan Wimberley. Install shot_ Jodie Whalen_Photograph by Zan Wimberley. Liam Benson_Emotional chart (Mapping the unmeasurable)_2018_sequins, beads, cotton, silk_140 x 77cm. Install shot by Zan Wimberley. Install shot_Criena Court_Breathe. Pause. Repeat_Photograph by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot by Zan Wimberley. Install shot_Lionel Bawden_I am porous (series)_Photograph by Zan Wimberley. Install shot_Stevie Fieldsend_The Lingers_Photograph by Zan Wimberley. Stevie Fieldsend_The Lingers_2018_metal, wool, polyester_dimensions variable_Photograph by Zan Wimberley. Install shot_Stevie Fieldsend_The Lingers_Photograph by Zan Wimberley.